Mount: EF And, keep in mind, the lens will vignette at 12mm, so you’ll need to either zoom in a bit, or use the extended zoom function on the GH5 to crop in. Still the king of all smartphone lenses for a cinematic look is the Moondog Labs anamorphic. Because sometimes we need a wide shot. The wide maximum apertures make for shallow depth of field: good if you want to use focus creatively, not so good if you need everything to be sharp. And the zoom has a crank which can help me get some great Brian DePalma like shots. There’s more about using lenses on this page. Here is Clinton Stark’s Top 10: Best lenses to consider for shooting video with your Panasonic Lumix GH5 camera. Mount: C I help you plan your film, teach you to film it, then edit it for you. Oh well, one can try. So you might prefer lenses with mechanical focus rings made by third party manufacturers, or vintage prime lenses which are designed for manual focus. Buy Rokinon 85mm t/1.5: Amazon Sharp and easy to use. Focal length: Full-frame less than 24mm; APS-C less than 16mm; Four-thirds less than 10mm These lenses will fit a lot into the scene. SLR Magic makes many interesting lens and adapters for MFT cameras. Featuring Loni Stark. Composition. Mount: MFT, EF This is because, while some individuals may prioritize prime lenses with minimal f- stop, others may prioritize lenses … I have two quick lens recommendations for your GH5 to save you time: Now that you have a GH5 as well it might be a good time to pick up a lens to pair with the body. This can be important when you’re working quickly. Unleash the GH5 video monster with these top lens picks. Focal length: Full-frame around 85-100mm; APS-C around 50-60mm; Four-thirds 35-50mm. (18 x 1.6 = 29). This lets you compare lenses on different sensors. Maybe it’s for an establishing shot. Since we’re talking reasonably priced lenses here, I’d strongly consider the cine range from Rokinon. They’re good for two-shots of people, and mid shots (hips to head) but they give slight distortion if you use them for closeups. This is a bargain and a half. Sensors that are smaller than this are sometimes called crop sensors. It’s not hard though. As a part of Sigma’s Art line of lenses, the Sigma 18-35mm f/1.8 DC HSM Art is built for use in creative endeavors. Good for: street work, all-rounder, low light, The nifty fifty. If you need a more exotic lens – such as a full-frame ultrawide lens or a fast telephoto –  it’s best to hire it unless you’re sure you’ll use it regularly. One of my favorite directors, Jean-Luc Godard, used it to shoot the groundbreaking indie Breathless (1960) which took French film in a decidedly non-studio and innovative direction. Also, there’s many ways to interpret the term best: best technical performance and sharpness (DxOMark is a good place to research that); best in low light; best cinematic look; best price/performance value; best compact lens; best zoom; and on and on it goes. Panasonic Lumix 12-35mm f/2.8 MFT native mount, here’s how to remove those annoying, jingly, noise-making camera strap rings from your GH5, SLR Magic Anamorphot-50 1.33x Anamorphic Adapter. Mount: EF. You can buy matched ‘cine primes’ which will give you precise control over exposure and focus, but they’re expensive. Back in the day this was very expensive glass. Once you have a few basic lenses in your bag, you may want to consider a proper “cinema” lens. A starting point. Good quality ultrawide lenses for system cameras are expensive. I absolutely adore the bokeh on this lens (EF version). Featuring a breadth of apertures, from f/1.8 to f/16, this versatile lens is one of the most popular go-to lenses for filmmakers seeking a … And the image is very nice. The focus will change differently depending on how fast you turn the focus ring. Nothing more, nothing less. They are usually quite ‘fast’ (they have a wide maximum aperture) which makes them good in low light. It’s far from ideal, so, again, proceed with caution if you go this route. Angenieux 12-120mm: this is the famed lens used often during the French New Wave period in the 1960’s. The best Canon lenses are given a red ring around the camera, and are labelled “L”. It’s a native mount, so it keeps the whole package compact. If you can buy only one lens for your GH5 (or GH4) this is a good one. Keep in mind to use this on the GH5 you’ll need an EF-MFT adapter. Take your pick. A parfocal lens holds its focus when you zoom in and out. Great in low light. For more information click here. It does require some extra work. Buy Canon 70-200mm f/2.8 II: Amazon (look for occasional email coupons from Canon… I got one that allowed me to save 30% on this lens when buying via the Canon web site) Buy Sigma 18-35mm f/1.8 ART: Amazon. Good for: just about everything (though limited on reach), short films, music videos, corporate work. Focal length: Full-frame around 50mm; APS-C around 35mm; Four-thirds 20-25mm. Just a beautiful lens. Typically that means a few things: (a) a prime (i.e. This 35mm is, in a word, outstanding. But I’ve had stellar results with the original (Mark I) version, and you can save a bit too. If you’re on a budget and you have an APS-C sensor camera with the kit lens, your next buy should be a 50mm prime (non-zoom) lens. Sony user. On the narrow end you can get a nice separation from the subject and background. Longer telephoto lenses are good for flattening perspective, isolating the subject from the background and bringing distant objects closer. Which is why I’m generally a fan of the widely used Canon EF lens mount. The information in italics below the pictures shows the focal length you should be looking for to get this look on cameras with different sized sensors. Plus, it take advantage of Panasonic’s magical dual stabilization — combining the lens stabilization with the camera’s in-body stabilization. Mount: MFT A classic for a reason. Some cameras, such as the Canon Cinema EOS range, have slightly larger.